TITLE: "MSU Rap"
By: Sharif Shakhshir
Creator Comments: This is a reference to an event covered in more detail and in a serious manner in this comic.
I remember dropping my friend off at his house after a night of drinking. I was sober don't worry. It was 2 AM and we had stopped drinking for at least 5 hours by that point. We mostly shot the shit in an empty parking lot. I drew dicks on the frosted windows of cars. Quite poetic really. We talked about writing and friends who write and stories of people. He had just come back from a short trip. One of the topics was how I was pissed that (despite online appeal) Mr. Faux had no popularity on campus. Although neither did the school paper the quarter prior. I was pissed that the common reaction was by philistines who believed every comic needed to be funny always. So pissed I came up with this comic which was the most retarded fucking thing I could think of. I hated it. I'm very strongly motivated by negative emotions, but in a creative sense. Of course that comes with debilitating drawbacks like being too depressed to work, etc. Anger is good because it creates a lot of forward creative momentum.
Anyway, the next day as I was working on the drawings of the comic, I kept reading it to make sure it flowed. I. could. not. stop. laughing. It was just too fucking retarded and I was just adding stuff making it more retarded and more funny (to me anyway). I mean "P-STINE!"
A lot of this is based upon Wu-Tang Clan and their relationship to kung fu films, which I only know about through conversations with my cousin Ramsey.
So what's in here? Jokes about how many different Asian Christian clubs there are on campuHip Hop, politics, kung fu, Malcom X the anteater (panel 5), Doonesbury motif, a Stephan Pastis I-know-this-is-retarded-artist-insert-panel, and oh! a swipe at a fellow cartoonist. I really didn't realize until just now how much shit I do with some of these comics.
Story about the last panel. Adrian Ortiz (a fellow New U cartoonist) and I were talking at a party he had at his house. We were talking shit about another cartoonist who does a comic called "Irvine Adventures." The guy would use crazy copy and paste art and would require 8 panels to say nothing. The editor at the time even told him that he couldn't have 8 panels anymore. Note: I still get 8 panels. Anyway we decided to start start taking shots at our fellow cartoonists starting with a joint assault on Irvine Adventures (did I mention that I'm motivated by evil?). In the end Adrian was too drunk to remember our conversation. So I unknowingly went solo. Irvine Adventures disappeared for weeks after this comic. I don't know if his work was simply rejected for being bad or if I cut his soul. I like to think the latter because that means someone's reading my comic.
On a similar note: The paper had by this point shrunk the comics page from being a full page every week (sometimes laden with ads) to being a half a page to a page and subject to the editor's discretion. Thus getting comics into the paper became much harder. I actually started getting rejected. As of this writing 2 comics were turned down. The first of which is the next comic.